by Carlyn Yandle | Mar 28, 2014 | Additive, Hideki-kuwajima, Rondle-west, Ryan-mcelhinney
Euphoria 100320, toy assemblage I am tormented by the plastic bits of toys, discards from the kiddies in my life, that I have been unable to toss (the toys, not the kiddies). There is no practical excuse for holding onto all those scraps from their evolving toy...
by Carlyn Yandle | Mar 21, 2014 | Additive, Beauty, Buttons, Color, Colour, Composition, Craft, Craftsmanship, Creative Process, Critique, Design, Distraction, Fabric, Fabricating, Failure, Fiber, Fibre, Found Objects, Handwork, Ideas, Innovation, Motivation, Pattern, Perception, Performance Art, Polly-apfelbaum, Process, Production, Project, Qr Code, Quilt, Textile, Upcycling, Use Object, Use Objects, Visual Field
After three months of sewing one donated button after another into a giant QR code, the big moment arrived this week: time to stand back and scan that baby with a reader app, translating this quilt-thing to read, “The devil is in the details.”Except it...
by Carlyn Yandle | Mar 14, 2014 | Commission, Douglas-coupland, Innovation, Installation, Nature, Project, Public Art, Sculpture, Surrealism, Vancouver
This week marks the unveiling of Golden Tree, Douglas Coupland’s latest public artwork, to be installed next year at the southern gateway to Vancouver, at Cambie and Marine Drive.The gold-patina, steel-reinforced resin and fiberglass mirror image of the famous...
by Carlyn Yandle | Mar 7, 2014 | Architecture, Art School, Business, Collaboration, Creative Process, Cultural Hub, Culture, Design, ECUAD, Emily Carr University, Exhibit, Expression, Gallery, Granville-island, Industrial Design, Industry, Innovation, Inspiration, Performance, Production, Sculpture, Social Engagement, Vancouver
Photo of ECUAD’s South Building by Stephen Hui/Georgia Straight When finally — yet suddenly — I graduated from Emily Carr University of Art and Design, I was done, done, done, exhausted after four intense years of input. Now I needed space for four more years of...
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