by Carlyn Yandle | Apr 25, 2014 | Beauty, Big Data, Color, Colour, Composition, Creative Process, Data-graphic, Distracts, Inspiration, Painting, Pattern, Perception, Process, Visual Field
With the same anticipation as a root canal I plopped down in a chair at the accountant’s office. Then gasped and pointed, then tried not to point at the adjacent bookcase stuffed with client files. The accountant flipped through my own paperwork. I flipped out...
by Carlyn Yandle | Apr 17, 2014 | Art, Art Discourse, Collage, Dallas-duobaitis, Data-graphic, Distraction, ECUAD, Exhibit, Gallery, Globalization, Innovation, Inspiration, Monique Motut-Firth, Sculpture, Technology, Vancouver, Visual Field
Detail from Emily Carr Masters student Duobaitis’ ink on board work, ‘(re) formatting’, 2014. How we’re feeling about our place in an uncertain world is evident on art school walls.This is where the next generation of emerging artists grapples...
by Carlyn Yandle | Apr 11, 2014 | Art Discourse, Banksy, Collaboration, Color, Colour, Critique, Culture, Expression, Mural, Painting, Public Art, Richard-tetrault, Social History, Vancouver, Visual Field
Urban Crow (detail), by Richard Tetrault I have this vague, hippie-era-soaked memory of my brother and I hanging with my father as he painted a wall alongside some other artists. Forty years later I suggested to my brother that he swing by my own mural project last...
by Carlyn Yandle | Apr 4, 2014 | Alison Woodward, Collaboration, Conceptual Art, Connie Sabo, Craft, Crafts, Craftsmanship, Creative Process, Exhibit, Fiber, Fibre, Hot Art Wet City, Ideas, Innovation, Installation, Invention, Joseph-wu, Newspapers, Openings, Process, Rachael Ashe, Sarah-gee-miller, Semiotics, Vancouver, Weaving
Clockwise from top: Connie Sabo, Rachael Ashe and Sarah Gee Miller with their respective works. (Carlyn Yandle photos) Sarah Gee Miller says she’s pretty handy. That’s the understatement of the evening. Her paper ‘paintings’ are not only...
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