by Carlyn Yandle | Nov 8, 2017 | Appropriation, Beauty, Colour, Craft, Craftivism, Cross-stitch, Doilies, Domestic, Embroidery, Fabric, Fashion, Fibre Arts, Garment, Handwork, Inspiration, Making, Needlework, Rug, Semiotics, Sewing, Social History, Textile, Visual Field
MORE THAN DECORATION: Flower images carry deep cultural significance for the Maya. Left: A figure dating from 600-900bc nestled in a lily. Centre: Needlepoint detail from a huipil (top), part of a traditional everyday dress. Right: Jesus emerging from a lily in an oil...
by Carlyn Yandle | Feb 28, 2017 | Abstract Painting, Architecture, Collage, Color, Colour, Composition, Experimentation, Found Objects, Graffiti, Guanajuato, Images, Instagram, Mixed Media, Paint, Painting, Perception, Photography, Social History, Vancouver, Visual Field
It feels like the Internet has killed the fun of taking snapshots of beautiful cities and people. So many times over the last four months in Mexico I’ve raised my camera (phone) to capture an impressive bronze sculpture or some baroque church facade then...
by Carlyn Yandle | Apr 11, 2014 | Art Discourse, Banksy, Collaboration, Color, Colour, Critique, Culture, Expression, Mural, Painting, Public Art, Richard-tetrault, Social History, Vancouver, Visual Field
Urban Crow (detail), by Richard Tetrault I have this vague, hippie-era-soaked memory of my brother and I hanging with my father as he painted a wall alongside some other artists. Forty years later I suggested to my brother that he swing by my own mural project last...
by Carlyn Yandle | Feb 14, 2014 | Art School, Critique, Cultural Studies, Culture, Culture Jamming, Design, Fashion, Semiotics, Social History
Alex Livesey/Getty Images The signs, they are a-changing.But to see them you have to look past the visual bombardment of dead-eyed-Kardashian-object images, pop-up balloon-boob ads, and the opening scenes of violence against women on CSI: Whatever.The signs are there,...
by Carlyn Yandle | Feb 7, 2014 | Art Discourse, Art School, Culture Jamming, Dude-chilling-park, Fabricating, Guerrilla Art, Industrial Design, Installation, Public Art, Sculpture, Social History
It’s official: the Dude Chilling Park sign, a guerrilla-art installation by recent Emily Carr industrial design grad Viktor Briestensky, has been reinstated, with full approval by the city’s parks board.Something was gained, but something was  lost in...
by Carlyn Yandle | Jan 3, 2014 | Art, Patriarchy, Social History
When my brother showed me his inherited oil painting of a senior citizen, my first thought was: Yeesh. No wonder the young nudes endure.They may not be remembered by history, like this unfamiliar subject, but they are pretty enough to pass down for generations of...
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